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Poetry of Issue #2
           
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 Hang on Gabby Hayes 
 
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 Symphonic Ocean Ending 
should one read with feeling and what about musical accompaniment 
and featuring the archetype of cool in his khaki raincoat and looking carefully around 
but the assassins Killer and Phil were gangsters and always up to no good 
on the other hand what about a chamber orchestra of about fifty instruments 
one would be reading with one's back to the players and waves and the audience  
and the ensemble's discipline would be tested severely by danger 
but thankfully double bases could be called upon to serve as life boats 
skittering around the edges of the congregation pecking at sand fleas  | 
Des Tours de Babel or the graft craft "tout thèse est un prothèse" Glas come on Babel let's do the twist take me by my metal hand lead me up through shadows and through dampness past narrow slits through which to peer across killing fields where enemies dare not linger on stained grass lest they recoil into past memories fading with time fading while climbing spiraling stairs or aspiring asters unknowable since one glowing globe cannot become an eternity whose end keeps falling down sparking random fluctuations in a clinamen swirl Eve and Adam avoided while whirling like a plaque in metal and stone inscribing swerve of shore and blend of river and bay ebbing with lunar currents and solar flares lighting satellites a way to gyres a swallow and a sooty tern  |